Keep the drawing material touching the paper at all times as you search out the form of the figure with one long line, as if made of wire or a piece of string.
Draw them either one on top of the other or side by side, allowing for instinctive gestural responses that reference the basics of the pose without focussing on too many details.Ĭandle Wax Deposition, oil on canvas, 85圆5cmĪfter those are done, try to make a continuous line drawing. Make some quick, three-minute drawings, ideally three per sheet of paper. Use monotone dry drawing materials such as charcoal (willow or compressed), pastel, conté crayon or graphite pencil. Stand up to draw if possible, ideally with half a dozen A1 sheets of paper clipped to an easel. The idea is to build up a number of studies that you’ll be able to use later as resource material.
Start by making warm-up drawings and initial sketches from a live model – ask a friend or family member, perhaps. Let your intuition guide you and, above all, be sure to give something of yourself to the work. I’d keep it simple in the first instance, so use a limited palette of one dark colour, one mid tone and one light colour. The physical action of making a piece that is larger than yourself will challenge you, but the rewards are great, as you can start putting down compositions and bold forms with large household brushes. Using 10-metre rolls of paper or canvas pinned to a wall is a great way for working on a large scale – they can be ordered online from most good art shops. Working large feels like such a statement to make. As Pablo Picasso once said, “In order to draw, you have to close your eyes and sing”.Ĭall to Adventure, oil on canvas, 160x190cm 3. Don’t bully yourself or be hard on yourself, be led by the work. Play music to help distract from any over-analytical thinking.
Enjoy the process as it leads you from one decision to another. Try to not over think what the final outcome might be and attempt to be fully present when making a painting or drawing. Give the analytical side of your brain a rest and try to access the instinctive, intuitive side. In doing so, I am allowing the process of making work to govern the outcome, rather than being overly analytical and critical of what I am doing. I find that in order to successfully start making an abstract artwork, I have to be open to all the possibilities and directions in which the work could take me. Remember to playīeing playful is the most radical thing you can do. You might want to write your own tenets out and pin them to your wall while you work. In order to do this, I like to give myself some tenets to work by – things I can bear in mind during the creative process, such as “concentration in essential”, “in order to draw you have to start from innocence”, or “if you know what you’re doing, you aren’t doing it properly”. If this sounds like you and you also wish to loosen up, it’s important to establish the right mindset, one that takes the pressure off having to produce a perfect, exhibition-ready piece. They will often have a fixed idea about what makes a good or bad drawing and arrived at a point where they feel their work has become too rigid. My students are often concerned that when they are drawing from the figure, the whole history of formal life drawing is weighing upon them and the right or wrong way to do this can haunt them. When making abstract art, the most important thing to remember is that you can’t go “wrong”. If you’re looking for some abstract art ideas to boost your current practice or are a beginner in search of some easy abstract painting techniques, this article has it covered.įrom getting in the right mindset to exercises on figurative abstract painting, the following seven steps offer practical advice for all artists looking to loosen up their work.
ABSTRACT PORTRAITS HOW TO
Link copied to clipboard Discover how to create meaningful abstract paintings with these seven top tips from Chris Gilvan-CartwrightĪrias Fallen from the Sky, oil on canvas, 150x125cm
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